Delta Portraits
presentation at The University of Mississippi
I will be giving a presentation about editing in-camera on location, seeing creatively and the power of ‘the almost.’ Much of this can be found in my second book on iPhone Photography.
School of Journalism and New Media Fall 2018 Multimedia
The following is student created work from sections of Jour 361, 375, 500 and 590. The students were taught by Al Steele, Ji Hoon Heo and myself. There is solid work here and a great foundation for growth and future projects. It has been a great first semester at The University of Mississippi. Really honored to be part of the team.
Jour 271 – Vanessa Gregory w/ Ji assist
Malpaso explores dance, culture and politics
Al’s 375
Observing Contextualization: Through the Eyes of Barnard Observatory
The Lyceum: A Story of Prominence and Pain
Ji’s 361 Jour/IMC
Michael’s 375
Ji’s 500
Confronting Mental Illness, enlightening the community
Rolling Out Community in Oxford
Michael’s 590
Moments: A Conversation Series
Multimedia Storytelling 1 – JOUR 590
the ‘gold standard’
NYT Snowfall
NPR Planet Money Makes a T-Shirt
NYT The 1619 Project
National Film Board of Canada Interactive
SI Lost Soul
New Yorker Shelter and the Storm
The Guardian Firestorm
Seattle Times Sea Change
Cincinnati Seven Days of Heroin Epidemic
understanding our context
Vice – Race in the US in 2017
Video Now Study
Blue Chalk Ricardo’s Story (DACA)
National Geographic Border Wall
Is there Objective Truth in our era?
How do we/can we measure success? ‘The awful power of metrics’
The ‘pivot’ to video, is it working?
This is part of the future (I suspect): John Oliver on Floods
Photography and Storytelling in the South
audio
Seeing White with John Biewen
the present
Lin Manuel Miranda
Gary V on Friction and How To Start
Simon Sinek’s 10 Rules for Success
‘I can’t Wait To Be Aen Old Asian American Woman’ – Christy NaMee Eriksen
skate to where the puck will be
One of the hurdles – The Digital Divide
22 rules of storytelling, according to Pixar
Overlooked basics of documentary filmmaking